Heroic Tales: Outline

Well, last night I completed the draft copy of ‘Aces High’, and sent off for the print proof for me to have a look at. All being well, you can expect to see it available for sale in around three weeks from today. With that done, I can now focus on the next project, the ‘Heroic Tales’ series, and I thought I’d go into a little more detail in what I have planned, and what I conceive it to be. I’ll start by saying that the pricing and size of each book will be the same as Alamo - 70,000 words, give or take, probably a little more, going for $3.99/£2.99. I’m happy with the length, and it is a project I can comfortably complete in a month.

Traditionally, the old magazines that I am working to imitate would be collections of stories, usually novellas. A typical issue of such a magazine would have a ‘book-length story’, and it says an awful lot that in those days, that meant around 35,000 words - and some accompanying novellas, each up to 20,000 words. That seems like a reasonable model to follow, albeit with some adjustment, and my plan as it stands if for each issue to have one longer piece - at 30,000 words - and two shorter ones, at 20,000 words each. This is subject to change, of course; I might go up to four stories, depending on how it works out in practice.

I’ve picked ‘Heroic Tales’ as the tag name for the series, but I am at present far from certain that it will be what appears on the cover; I might simply use it as a series title, and give each novella collection a separate name. In any case, each will have such a name, simply to serve as a better identifier than ‘Issue One’. Whilst I’ve picked a tag that has a good general aspect to it, largely to preserve options for future issues, I already know that at least the first two will be focused on the era of the Crusades; my working titles for the issues are ‘Knights of Outremer’ and ‘Assassins of Outremer’. Future titles may continue the theme, or may head off into areas unknown. One of the benefits of this is that I can go wherever my interests take me, or continue my focus.

I will freely admit, I was sorely tempted to go with a title like ‘Oriental Adventures’. I have a sneaky fondness for the basic idea of Oriental Stories and its successor, Magic Carpet Magazine, and am strongly tempted just to focus on that basic concept. Its sole editor, Farnsworth Wright, said, “I especially want historical tales, tales of the Crusades, of Genghis Khan, of Tamurlane, of the wars between Islam and Hindooism (sic).” Throw in the Arabian Nights, the Normans in Sicily and the Byzantine Empire, and you have precisely the sort of publication that I would love to write for. Certainly there is no want of story possibilities in that line-up! (Hell, I’d almost be tempted to see who owned the ‘Oriental Stories’ copyright…)

The first step is to dive into the research. I’ve read on this topic before, of course, but I’ve also picked up quite a few new bits and pieces. The Penguin ‘Tales of the Marvellous’ is out in a few days, and that’s high on my list, but I’ve got around thirty, forty books to get through before the work can begin. Not counting going back to Robert E. Howard, Harold Lamb, and a few others as well, but I’d hardly call that work by any stretch of the imagination. Hell, none of this is going to be work!

Heroic Tales...

I’ve often compared the current state of affairs in publishing to that which existed before the Second World War, in terms of the ability of writers to break in. The key difference, of course, is that in those days, a writer would still have to sell, but there were thousands of potential markets he could pitch his work at, and they would take all the work that a writer could produce, regardless of quantity. We’re in those days again; if Battlecruiser Alamo was being released in a traditional way, it would likely be one novel a year, whereas I am quite happy and comfortable to continue with the current six novel a year publication rate. (Incidentally, ‘Aces High’ is now passed the half-way mark, and should be out sometime around this time next month, more details to follow.)

If I was writing in the 1930s, I’d be working for the pulps. Yes, I’d probably be trying for the slicks, or for actual books, but I’m realistic to know that I’d be writing for the pulp adventure market. Indeed, I’d strongly recommend to any aspiring writer wanting to get into the history of the craft, as well as picking up some tips, to check out the two ‘Pulpwood Days’ books - essentially a collection of essays written by writers and editors during this period. ‘Blood and Thunder’ magazine is also something to check out, to get a flavor of what it was like in this heady period.

There are a few titles in particular that I wish I could pitch for today, ones that haven’t existed for decades. Imagine being able to write for Weird Tales in the era of Howard, Lovecraft, Smith, and the other greats. Or to pitch for Oriental Stories - or Magic Carpet Magazine, which has to be one of the worse choices for a magazine title I’ve ever seen. Or best of all, Adventure, a seminal publication, where writers such as H. Bedford Jones, Talbot Mundy, Harold Lamb, Brodeur Smith and dozens of others wrote. That would be a goal.

Alas, of course, these magazines are no more. Most of them didn’t get out of the Great Depression, and the paper shortages of World War II finished off many of the rest. A few survivors staggered on, but the rise of the cheap paperback book - largely due to the Second World War and the need for lots of ‘Servicemen’s Editions’ and technical manuals, interestingly enough - broke the back of the remnants of the market. If you look at the few Science Fiction magazines that live today, you see in them a corporal’s guard where once were massed battalions.

So here we are, today. In a world where the writer is freer than he has been since the days of the pulps. In those days, there were so many different titles that it was likely that you would find at least one market willing to read your work - heck, dedicated ‘Zeppelin Stories’ and ‘Submarine Stories’ testify to that. Today, you are no longer dependent on a publisher, and can write the work that you want to write, without worrying that you have to convince someone that the genre you like is worth investing in. It’s really a wonderful world.
And yet, there are not that many historical adventure writers working in the manner of the old pulps, working in the novella format, say around twenty thousand words. I’ve seen a few on Amazon, but scattered around, one here and one there, and often used as a promotion for a longer book. (Which is actually a really good idea, and one I would like to do myself. Unfortunately, when I tried it, it turned into a novel - I passed forty thousand words on ‘Aces High’ this afternoon.) You see sword and sorcery works written in novella format more often, but less so historical adventure. (When I have seen it, it’s been executed really well. I’m thinking Howard Andrew Jones and and M. Harold Page here, especially, both of whom I can recommend. My only problem is they haven’t written enough!)

I’ve been looking for a new genre. Fantasy just doesn’t sing to me. I’ve spun around a few ideas for an epic fantasy series, and it might even happen at some point, but the scope of the project would make it extremely difficult to execute while I am working on Alamo, and given that I’m already working on preliminary ideas for the 2016 Alamo novels, I have no intention of stopping my activities in that universe any time soon. After quite a bit of trying, other ideas have faded by the wayside. What is appealing to me, right now, is to have a crack at breaking into Adventure. Yes, I’m a little late, and I don’t think I’ll get a prompt reply from the Editor, but that needn’t stop me writing the stories, and that isn’t going to you reading them.

So, that’s it. The new project, coming maybe even by the end of August, or September at the latest, the first of what I hope will be bimonthly releases of collections of historical action/adventure short stories. More specific details to come tomorrow, but suffice to say at the moment that I’ll be reading my Howard, Lamb and Brodeur a lot in the coming weeks, as well as my Runciman and Norwich! Here come Heroic Tales!

Surprise!


From the depths of my trunk comes this novella, originally published in 2012 under the name 'Dreams of Ancient Empire', now re-released under this new name with a staggering Keith Draws cover for the astonishing price of $0.99. I've been planning to get it back out there for a while, and now the time has finally arrived!

Altor, an exiled barbarian from the mountains at the edge of the world, has vowed that he will help his battle-brother, Kortan, in his quest to reclaim the crown of the Free Town of Koreba, or die in the attempt. Journeying through foul swamps and dark cities, he faces foes wielding mighty magic and bitter steel, before fighting for the survival of his very soul....

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The More Things Change....

As I write this, I’m around thirty thousand words into ‘Aces High’, the next Battlecruiser Alamo novel, so almost half-way through. I expect to have the draft completed by the end of the month, with the editing process to take another few weeks. In short, that means the book will be out on schedule, some time towards the end of July, say in around five weeks’ time. This one is actually going pretty smoothly after some initial problems; the first two or three chapters were, well, just not necessary and ended up going. There’s definitely something to be said for leaping right into the action…

The big news in the publishing world at the moment - at least, as far as self-publishing goes - is that Amazon is changing the way that it handles loan payments. Now, as a rule, I never talk business on this blog, and I don’t intend to dwell on it here, but suffice to say that I am very happy with the changes. The reason I’m mentioning it at all is that I’m getting a definite vibe of ‘the sky is falling’, when really that is not the case at all. There is a danger, a big danger, when a writer enters the self-publishing world, that he or she takes the decision to see what is working, to work out how to take advantage of the system, and plan their books accordingly.

I’ve said before that one of the best pieces of advice I ever received was to ‘write what is on your own bookshelves’; just because cannibal dinosaur erotica might be all the rage now (and I fervently hope that we live in a world where that is not the case, though I suppose I might just be behind the times) does not mean it is a good idea to write it. Working in any genre that you don’t know is a mistake; your heart won’t be in it, and that can and will tell in the work you do. Better to work in a genre that you feel happy to write in, where you are widely read enough to know how the game works, rather than treat it as a chore.

Writing a book is a creative thing, not a business model. Yes, anyone self-publishing has to think like a business in some areas. The key concept I take is that it is best to act professionally, to keep regular hours - or at least, regular targets - and to conduct yourself in a professional manner. Which means keeping decent accounts, looking at pricing, keeping familiar with the state of the art, especially with ebook technology, that sort of thing.

It doesn’t mean writing books for a particular purpose. Writing is hard enough without imposing unnecessary constraints on what you are doing. When I started writing the Alamo series, the first couple came in at around the 70,000-word length, and I’ve stuck to that as the usual length for the series, simply because it is the format I am most comfortable writing. It’s a book with a plot-complexity level I know I can handle, and one I can write in a reasonable amount of time, meaning regular releases not too far apart. In total, writing an ‘Alamo’ book takes roughly twenty-eight days when all is said and done, with actually sitting in front of the keyboard and typing taking up a bit more than half that time.

The problem, the big problem, with writing books a certain way to take advantage of a system is that everything changes. We’re in a very fast-moving world at the moment, everything changing, and even if things do reach some sort of stability for a while (not impossible, though I think it will take a few more years yet) they are unlikely to stay that way for a working lifetime. Probably not for a decade. No-one can work out a strategy that will predict the future, because it is impossible to work out where things will be in ten months’ time, still less in ten years’ time.

There is something you can do. For any authors out there, anyone who wants to know the key secret that has the best chance of leading to a measure of success, the magic ingredient is this. Write books. You can’t go wrong with building up a catalogue of books with your name on them, that you own the rights to. No matter what happens in the future, those books will still exist - and if they are ones you wanted to write in the way you wrote them, then you’ll have an inventory that you can be proud of. It’s the surest possible route in an admittedly constantly changing world.

What is the point of this? That there is only one way to decide what books you should write - the ones you want to write. Don’t write ‘what you think will sell’, don’t write ‘the latest big thing’. Don’t even write ‘the book you want to read’, because that is a completely different thing. Write the book that you want to write. And on that note, the next post (hopefully tomorrow, but that depends on how the other writing going - as ever, Alamo is my priority) will be on my thoughts about my second book series...

Looking at the Stars....

Those who have been reading this blog for any length of time will probably have worked out that I am a tad space-obsessed. I have been ever since I was a small boy, and I suspect that I always will be. Living in the heart of a big city, I could only content myself with books, or with the internet once it came about, but now that I live out in the country, a new option has presented itself - I could buy a telescope, and see the wonders of the universe for myself. I’ve been thinking about this for months, on and off, but last month I decided to take the plunge.

The first decision I made is that I would buy not one telescope, but two. The first was to be a ‘take-it-out-and-use-it’ telescope, the second larger, more expensive, and more involved; the first would also serve as a testbed to determine whether my interest in the pursuit would persist, and I made the decision that I would not buy the second telescope until I had got in twenty hours’ observing - and given that is summer and the nights are short, I rather suspect that would take a while. (As I write this, I am on ten hours, with some hopes of increasing that tonight. I never realized how many clouds there were before…)

Naturally, I didn’t want a telescope that I would only use during this period - I wanted one that would hold its own, and that would be useful in its own right. I also wanted something that would be low-maintenance, and that suggested a refractor rather than a reflector; I figured that a larger-aperture reflector would be telescope two. I did my homework, bought a few books and spent some time on the internet, and eventually opted for a Sky-Watcher Evostar 90, a three-and-a-half-inch refractor on an alt-azimuth mount.

The scope arrived within a day - thank you, Amazon - and I spent most of that day looking outside, hoping that the clouds would clear. The forecast was somewhat less than favourable, but miraculously, as everything began to go dark, the clouds vanished with the Sun and it was a perfect night. I set the telescope up outside, pointed it at the largest star I could see, and was rewarded with...a faded, blurry image. Even after I managed to get the focus right, all I saw was a featureless disc, and I thought I was looking at Jupiter.

Then, after ten minutes, I turned the scope up to another star, and realized I had made a big mistake. I had been looking at Venus, not Jupiter - and this time, the four Galilean moons snapped into position, and at the best magnification I could manage - only x90, that night - I could just make out faint outlines on the surface. Before I realized what had happened, I’d been outside for an hour. Then, Saturn rose, and I turned my telescope on the planet, and saw the distant world and its rings, hovering in the lens. After a couple of hours - with midnight upon me - I packed up and went inside.

The first thing I did was order some more lenses. I’d known in advance that the ones supplied with the telescope weren’t that great; I figured that primarily they only had to do for my first viewing, and that I could buy more right away. Also, they’d be useful with my second telescope as well - so this was going to be a decent investment. In the end, I opted to buy a kit, the Revelation Astro Eyepiece Kit, from Harrison Telescopes - which gave me five new lenses, as well as a Barlow lens to augment the power of the others. It also gave me five filters, about which more later. (I’ll say now that Harrison Telescopes was excellent.)

It was four more frustrating nights before I could go out again, but this time I was equipped with my new lenses; the old ones would remain unused. The new set consisted of Plossl lenses, higher quality, though I learned later that there were two more in the set (which I have since purchased.) This time I knew what I was looking for, and could pick out the phases of Venus, and was able to operate at much higher magnifications. Not too high - for a start, my telescope is only good up to x180, and there is rarely need to go very high in any case, but the difference it made to look at the planet at x150 was amazing. The phase was quite clear, though it remained featureless.

I should say at this point that something else I invested in was a Revelation Star Diagonal; the telescope had come with one more suited for terrestrial than astronomical work - again, something I knew going in, but it was reflected in the price. I can recommend the telescope to anyone starting out - aside from some niggles with the finderscope, I’ve had no problems with it. Not now I worked out how the locking mechanism worked; it took me three nights to get that right!

Jupiter was a treat. I could see two bands going across the planet, and the moons were once again quite clear, though in a different position. For the present, I remain an astronomical dilettante; I spend my time darting from star to star, though I am aware that better observations are possible if I focus on a single object. Saturn was as before, though I didn’t get a good view of it on my second night due to a neighbour’s house been in the way. If I’d had a bulldozer on hand, I’d have been tempted to use it!

Then came the Moon. I hadn’t been able to see it on my first night, but this time the crescent rose, and I roved across its surface - initially at far too much magnification to be able to recognize a thing. The shadows in the craters, the glimpses of the great dark seas, even the Straight Wall - I spent an hour just staring at it, looking at every detail, though I admit that I had no ability to put names to features - something I am slowly working on. That was night two, every bit as exciting as night one.

It was clear at that point that telescope two was going to happen. Since then, I’ve had five more nights, each of which was similar to the first, both in terms of what I did and the wonder I felt. I’ve had no luck viewing stars so far, not in tracking down any double stars or galaxies, partly because of my poor knowledge of the constellations but also because it just isn’t getting dark at the moment - and for another month, that’s going to get worse rather than better. I figure that by the end of July, things will start to seriously improve in that quarter, but for the present, most of the constellations just aren’t clear. The moon was full last night, and beautiful as it was, it did provide quite a glare! Fortunately, the planets are my primary interest anyway.

I’m getting more comfortable with the telescope now - I even named it ‘Hengist’, with ‘Horsa’ to follow - and last night I broke out the filters, interested to see if I could make something out of Venus. I had heard that under different colours, the planet is no longer featureless, and details could be seen - not of the surface, but of the upper atmosphere. I have to admit that until last night, I didn’t believe it, but I threw in a yellow-green filter (#11, for those interested) and under the new light, I could make out darker patches, near the middle of the planet. I thought it at first a trick of my eyes, but two others looked through and saw the same thing - without any prompting from me about what they were looking it. Until this point, I hadn’t seen the merit of the filters; this morning, I purchased three more to give me a wider range of options. (I also got lucky and scored a high-quality orthoscopic lens as well - which should be an improvement over the admittedly-excellent Plossls for planetary work, and filling a gap in my magnification options.)

What is to come? Well, on this blog, some reviews - I’ve got a lot of books and a lot of kit now, and that’s definitely something to write about. I’ve pretty much decided what ‘Horsa’ is going to be - an eight-inch reflector on an equatorial mount, and that will be purchased some time next month, whereupon I will likely freeze my equipment for a while. More to the point, I want to do some more serious observing, specifically of the planets. Even more specifically, the gas giants. Jupiter, Saturn, Uranus, all three are within range of the eight-inch, and each is almost a system of its own, in its own right. (Neptune will be visible - just - but doing any detail work at all is rather a stretch.) I need to learn the Moon, and I need to do some star observations. In short, I need an observing program, and once my twenty-five-hour training period is over (twenty with Hengist, five with Horsa) I intend to set out on one. (Venus is now moving into interest as well as of last night...and potentially Mars, though that is difficult from this latitude. I have seen it twice now, by a miracle, but neither time with any detail at all.)

Oh, and Alamo 13 as well. I expect to start that on Monday; look for it some time towards the end of July...